đ Share this article That Floating Poo Was Way Too Symbolic! These Are the TV Disappointments of the Past Year. As we consider the television offerings of the past year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. Ranging from cringe-inducing spin-offs to bafflingly bad docuseries, here are the productions that had us scratching our heads or simply reaching for the remote. The 'Sex and the City' Sequel Where to begin with this love/hate follow-up? Plagued with dreadful writing, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to justify its existence. For a moment, as the third series began, it seemed as if it had finally hit its stride. Then came an installment all about Seemaâs natural deodorant. Little surprise the creator declared this would be the final season. It concluded on a low point; the closeup of Mirandaâs toilet full of poo was just way too symbolic. Still, fans certainly had a hoot dissecting every single âwtf?â moment. And as Carrie â once again single â twirled around her sprawling townhouse to Barry White, who didnât release a little sob? Allâs Fair âCan Kim Kardashian act? Of course she canât.â But that was practically the smallest of this drama's issues. The subject of a exceedingly uncommon no-star review, it was hard to know where to start enumerating the problems. The hilariously leaden writing? The mind-numbing veneration of wealth and consumption? The almost deliberate procession of tropes? Acting so bad they felt borderline malicious? Suffice it to say âall of the aboveâ and forget about this series again. However, a second season has been commissioned, so weâre probably going to have to. The Charlie Sheen Documentary Given the legal troubles, domestic violence claims and parental shortcomings, itâs reasonable to say Charlie Sheen has been a troubled figure. Not that youâd truly have gleaned it from this three-part docuseries which smirked its way at Sheenâs various bouts of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be reserved for the people who have had to endure proximity with this charming but flippant narcissist. The Iris Affair Of course we knew it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises â or destroy all of humanity. We persevered out of pure love for its leads ⌠but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ended up slicing Charlie with an axe ⌠in painfully slow-motion. That's what you call giving up the ghost. The Gangster Drama Shady figures meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back. Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didnât endure the embarrassment of having to indulge baffling dialects. But there were plenty of other problems. Mainly that it was just really dull; a conflict over drug-selling territory between various cockney picaresques which felt a bit basic. With Love, Meghan Considering the degree to which she grinds the gears of certain ostentatiously angry commentators, itâs temptingly easy to applaud the Duchess of Sussexâs televised forays into twee homemaking as intentional provocations. But then you watch them and are compelled to concede that in this case, they might have a point. Itâs like watching a lifestyle magazine animated; a meme for wine oâclock with delusions of grandeur; a parade of snoozing dogs, humming beehives, sentimental platitudes and pointless crafting âhacksâ youâll forget instantly. All underpinned by immense, largely undeserved wealth. Ugh. The Beckham Documentary There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with career, self-image, self-acceptance. But for some reason, this three-part series chose not to say them. Rather, the experience was like consuming a sales brochure. She clearly has good reason to bridle at what she describes as her âmiserable cowâ image. But sadly, she didnât do herself any favours with this cagey letdown of a series. The Game Show It should have been the next big hit â except even more extravagant, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: itâs even now too confusing to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was straining desperately to emulate something far greater than it. Too Much How do you succeed a show that captured a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt icky. Mitchell & Webb Are Not Helping Not good enough to be âpatchyâ. Given the shrewd recruitment of talented younger comics, expectations were high. But unhappily, most of it didnât land. A particular sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer. The Twisted Tale of Amanda Knox This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isnât it. The material needed to be handled with care. Rather, the series struggled painfully to find the right tone, lurching from oddly jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so. The Maths Genius Thriller We love the star ⌠but did we buy him playing the greatest maths genius in history, a man so intelligent heâs on the brink of a discovery that could destabilise society? Nope! This international thriller about government agencies spying on â and killing off â intellectuals frankly got more farcical by the second. Formulaic nonsense. The Bonnie Blue Documentary This uncritical portrait followed the online personality notorious for sexual exploits as she undertook her most extreme feat yet. What on earth would motivate her? What we craved was way more examination of her actual psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to haul her son out of the queue. What we got was disturbing shots and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.